{"id":1560,"date":"2019-01-28T15:05:56","date_gmt":"2019-01-28T15:05:56","guid":{"rendered":"https:\/\/wpzimmer.demonlabs.be\/?post_type=projects&#038;p=1560"},"modified":"2019-03-21T14:07:57","modified_gmt":"2019-03-21T14:07:57","slug":"corps-de-ballet","status":"publish","type":"projects","link":"https:\/\/wpzimmer.spot-digital.co\/en\/projects\/corps-de-ballet\/","title":{"rendered":"Corps de Ballet"},"content":{"rendered":"\n<p>In <em>Corps de ballet<\/em>, No\u00e9 Soulier uses the vocabulary of classical ballet to make apparent its inner organization. He draws on several analyses that he unfolds spatially and temporally. By playing in the interstices, he unsettles our expectations and captures what remains usually in the background: the way the dancers approach the movement, the intimacy of contacts in <em>pas de deux<\/em>, the structural links between steps, or the border between the meaningful gestures of ballet mime and an abstract movement phrase.<\/p>\n\n\n\n<div class=\"wp-block-blockgallery-masonry\"><div class=\"blockgallery has-no-alignment has-caption-style-dark has-gutter\"><ul class=\"has-grid-xlrg has-gutter-15 has-gutter-mobile-15\"><li class=\"blockgallery--item\"><figure class=\"blockgallery--figure\"><img decoding=\"async\" width=\"599\" height=\"900\" src=\"https:\/\/wpzimmer.demonlabs.be\/wp-content\/uploads\/CORPSDEBALLET-1\u00a9LaurentPhilippe.jpg\" alt=\"\" data-id=\"3381\" data-link=\"https:\/\/wpzimmer.demonlabs.be\/en\/projects\/corps-de-ballet\/corpsdeballet-1laurentphilippe\/\" class=\"wp-image-3381\" srcset=\"https:\/\/wpzimmer.spot-digital.co\/wp-content\/uploads\/CORPSDEBALLET-1\u00a9LaurentPhilippe.jpg 599w, https:\/\/wpzimmer.spot-digital.co\/wp-content\/uploads\/CORPSDEBALLET-1\u00a9LaurentPhilippe-100x150.jpg 100w, https:\/\/wpzimmer.spot-digital.co\/wp-content\/uploads\/CORPSDEBALLET-1\u00a9LaurentPhilippe-200x300.jpg 200w\" sizes=\"(max-width: 599px) 100vw, 599px\" \/><figcaption class=\"blockgallery--caption\">\u00a9 Laurent Philippe<\/figcaption><\/figure><\/li><li class=\"blockgallery--item\"><figure class=\"blockgallery--figure\"><img decoding=\"async\" width=\"900\" height=\"600\" src=\"https:\/\/wpzimmer.demonlabs.be\/wp-content\/uploads\/CORPSDEBALLET-2\u00a9LaurentPhilippe.jpg\" alt=\"\" data-id=\"3383\" data-link=\"https:\/\/wpzimmer.demonlabs.be\/en\/projects\/corps-de-ballet\/corpsdeballet-2laurentphilippe\/\" class=\"wp-image-3383\" srcset=\"https:\/\/wpzimmer.spot-digital.co\/wp-content\/uploads\/CORPSDEBALLET-2\u00a9LaurentPhilippe.jpg 900w, https:\/\/wpzimmer.spot-digital.co\/wp-content\/uploads\/CORPSDEBALLET-2\u00a9LaurentPhilippe-150x100.jpg 150w, https:\/\/wpzimmer.spot-digital.co\/wp-content\/uploads\/CORPSDEBALLET-2\u00a9LaurentPhilippe-300x200.jpg 300w, https:\/\/wpzimmer.spot-digital.co\/wp-content\/uploads\/CORPSDEBALLET-2\u00a9LaurentPhilippe-768x512.jpg 768w, https:\/\/wpzimmer.spot-digital.co\/wp-content\/uploads\/CORPSDEBALLET-2\u00a9LaurentPhilippe-600x400.jpg 600w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><figcaption class=\"blockgallery--caption\">\u00a9 Laurent Philippe<\/figcaption><\/figure><\/li><\/ul><\/div><\/div>\n","protected":false},"featured_media":1561,"template":"","class_list":["post-1560","projects","type-projects","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Corps de Ballet - wpZimmer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wpzimmer.spot-digital.co\/en\/projects\/corps-de-ballet\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Corps de Ballet - wpZimmer\" \/>\n<meta property=\"og:description\" content=\"In Corps de ballet, No\u00e9 Soulier uses the vocabulary of classical ballet to make apparent its inner organization. He draws on several analyses that he unfolds spatially and temporally. 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