{"id":3519,"date":"2019-04-02T08:48:24","date_gmt":"2019-04-02T08:48:24","guid":{"rendered":"https:\/\/wpzimmer.demonlabs.be\/?post_type=projects&p=3519"},"modified":"2019-06-14T15:07:15","modified_gmt":"2019-06-14T13:07:15","slug":"affected","status":"publish","type":"projects","link":"https:\/\/wpzimmer.spot-digital.co\/en\/projects\/affected\/","title":{"rendered":"Affected"},"content":{"rendered":"\n
  1. An ostentatious display of being, which is not natural; to feign feelings<\/li>
  2. To accomplish something through a physical change; to touch<\/li>
  3. To have or to take on this or that form.<\/li><\/ol>\n\n\n\n

    Affect also signifies: impression of elementary attraction or repulsion which is at the base of affectivity (emotions, feelings, passions, etc.)<\/p>\n\n\n\n

    Affected<\/em> is dealing with the identity of three women confronted by the sense of their own finiteness, while bringing them face to face with their own solitude. Claire Croiz\u00e9 uses the word finite as an expression of everything that is fleeting, of loss and extinction. The dance is focused particularly on the rites of passage that sanction the different phases of life: from childhood to the fall (loss of innocence, disappointments); and then on the passage between the fall and the future (visualizing one\u2019s own old age and death). Her approach to the choreography is purely physical. She is not looking to achieve realism. Rather, Claire Croiz\u00e9 wants to maintain a sense of affectation, that is the lack of naturalism in the manner of acting.<\/p>\n\n\n\n

    Il y a un tragique quotidien qui est bien plus r\u00e9el, bien plus profond et bien plus conforme \u00e0 notre \u00eatre v\u00e9ritable que les tragiques des grandes aventures. Il est facile de le sentir, mais il n\u2019est pas ais\u00e9 de le montrer, parce que ce tragique essentiel n\u2019est pas simplement mat\u00e9riel ou psychologique. <\/p>M. Maeterlinck<\/cite><\/blockquote>\n\n\n\n

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