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In Shapeless gaat Charlotte Vanden Eynde verder met het bewegingsonderzoek dat ze aanvatte in de solo I’m Sorry It’s (Not) A Story (2009). Daar lag de focus op betekenis. Nu keert ze terug naar de vorm. Vertrekpunt zijn de zuiver fysieke, vormelijke en dynamische aspecten van beweging. Vooral het dynamische, iets wat in haar vroeger […]